Chris Turner

The Melbourne Miracle

In June 1978, there appeared in The Age, Melbourne’s prestige daily newspaper, a vitriolic analysis of the city’s urban design. “Effective city planning has been almost unknown in Melbourne for at least 30 or 40 years,” wrote Norman Day, The Age’s architecture critic. “For the ordinary Melburnian, that means our city has been progressively destroyed. It no longer contains the attraction and charm it once had.” The essay’s headline pointed toward the root of Melbourne’s problem: “AN EMPTY, USELESS CITY CENTRE,” it read. ...

Turning to Hope

I can’t think of a single redemptive anthem for the youthful idealism of Rachel Carson’s firstborn children. Even U2’s “Pride (In the Name of Love)” was a nostalgic song about Dr. King’s assassination, a requiem for a certain kind of innocence. Instead, the culture’s most gifted pop prophets retreated into irony, satire and nihilism.

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