Canada's Environmental Voice
The melody of the Beatles song “All You Need Is Love” fills the BC legislature as the audience rises, faces turned to the entryway where a jubilant NDP caucus walks in to loud applause. It’s a lovely tribute to the late Jack Layton and his last words, “Love is better […]
The voice on the other end of the phone is frustrated. “I just can’t figure it out – whose side are you on?” I get that a lot lately as I descend into the depths of complex climate policy in Alberta – a region which is currently economically dependent on […]
I was first introduced to the concept of ecological economics 25 years ago in an undergraduate course that looked at the work of Herman Daly and the concept of “steady state economics.” We also looked at Hazel Henderson and her ground-breaking work on valuing what is called “externalities” in our economic […]
What do you do when you get old? Play golf and lie in the sun? For about 100 Suzuki Elders, the answer has been to spend their later years involved with environmental issues – although some also, at times, do play golf and lie in the sun.
I feel totally torn about what I’m going to write here. I’ve been working mostly from the right side of my brain since I became a food enthusiast 20 years ago, but now I feel my left brain calling me to pay more attention to logic and analysis. My right […]
In a sentence, David Brower was the single most influential force on environmental policy in the United States and on the environmental movement both in Canada and the United States in the 20th century. Having been born in 1912 and lived to 2000, his life almost spanned the century. It […]
A\J: How do you describe yourself as an artist?
A\J: Can you tell us a bit about you and your art? Carol Gimbel: I am a performer, producer and director. My passion is to explore the realm where the traditional and experimental meet. I find that the traditional is vitalized by drawing from and/or being juxtaposed with the experimental. […]
A\J: How do you describe yourself as an artist?
A\J: What compelled you to move Seasick from a non-fiction work into a play?
